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Wednesday, July 06, 2016

Recommended Books - On the Existence of Digital Objects, Artmachines: Deleuze, Guattari, Simondon and Biocultural Creatures: Toward a New Theory of the Human


Please, take a closer look at these books as shown below.

On the Existence of Digital Objects (Electronic Mediations)
On the Existence of Digital Objects (Electronic Mediations)
"Digital objects, in their simplest form, are data. They are also a new kind of industrial object that pervades every aspect of our life today—as online videos, images, text files, e-mails, blog posts, Facebook events.Yet, despite their ubiquity, the nature of digital objects remains unclear."

On the Existence of Digital Objects conducts a philosophical examination of digital objects and their organizing schema by creating a dialogue between Martin Heidegger and Gilbert Simondon, which Yuk Hui contextualizes within the history of computing. How can digital objects be understood according to individualization and individuation? Hui pursues this question through the history of ontology and the study of markup languages and Web ontologies; he investigates the existential structure of digital objects within their systems and milieux. With this relational approach toward digital objects and technical systems, the book addresses alienation, described by Simondon as the consequence of mistakenly viewing technics in opposition to culture.

Interdisciplinary in philosophical and technical insights, with close readings of Husserl, Heidegger, and Simondon as well as the history of computing and the Web, Hui’s work develops an original, productive way of thinking about the data and metadata that increasingly define our world.

Publisher: Univ Of Minnesota Press (February 29, 2016).

Artmachines: Deleuze, Guattari, Simondon
Artmachines: Deleuze, Guattari, Simondon
"Artmachines presents, constructs, and transforms the thought of Deleuze and Guattari, excavating from their work a new philosophy of individuation and creative production."

Western thought remains burdened by a worn-out image predicated upon binary oppositions, sterile notions of art as representation, and an untenable model of the subject as a sovereign individual. Deleuze and Guattari aim, above all, to create a new image of thought that dismantles these worn-out concepts and that fosters creativity, life, and becoming.

These 13 essays by Deleuze specialist Anne Sauvagnargues, 12 of which are being published in English for the first time, will help to make Deleuze and Guattari's work useful to scholars and artists in a range of disciplines. Ranging over literature, art, cinema, philosophy, psychoanalysis, and politics, they converge around the concepts of individuation, ecology, territory, the machine, transversality, and the refrain. The result is the sense of a new image predicated on individuation and the event.


Publisher: Edinburgh University Press; 1 edition (April 1, 2016). 

Biocultural Creatures:
Toward a New Theory of the Human
Biocultural Creatures: Toward a New Theory of the Human 
"In Biocultural Creatures, Samantha Frost brings feminist and political theory together with findings in the life sciences to recuperate the category of the human for politics. Challenging the idea of human exceptionalism as well as other theories of subjectivity that rest on a distinction between biology and culture, Frost proposes that humans are biocultural creatures who quite literally are cultured within the material, social, and symbolic worlds they inhabit."

Through discussions about carbon, the functions of cell membranes, the activity of genes and proteins, the work of oxygen, and the passage of time, Frost recasts questions about the nature of matter, identity, and embodiment.  In doing so, she elucidates the imbrication of the biological and cultural within the corporeal self.  In remapping the relation of humans to their habitats and arriving at the idea that humans are biocultural creatures, Frost provides new theoretical resources for responding to political and environmental crises and for thinking about how to transform the ways we live. 

Publisher: Duke University Press Books (June 28, 2016).

Source: Amazon

Tuesday, July 05, 2016

Lloyd Webber gives £1.4m to secondary schools music programme | The Stage

Photo: Matthew Hemley
"A scheme backed by Andrew Lloyd Webber to give free music lessons to school children has had its future secured for the next four years, with a boost of £1.4 million from the composer’s foundation." inform Matthew Hemley, news editor for The Stage.  

Sara Pelham, a musician who has benefited from the scheme.
Photo: Leonora Saunders

The grant will be paid over four years and secures the future of the Music in Secondary Schools Trust Andrew Lloyd Webber Programme, which was first launched in 2013.

It means that the scheme will continue to run in its eight existing London partner schools from September, and that 4,000 children will be receiving free instruments and tuition from September this year.

Lloyd Webber said: “Never has a musical education been more important. The arts and music in particular are proven to empower young people with the life skills needed for a successful future.”

He added that he was “delighted” that his grant – which matches the same amount from the Charles Wolfson Charitable Trust – would help 4,000 children, but said he wished the “government would join in to make it 4 million”.

Schools in the scheme include Mount Carmel Roman Catholic School for Girls in Islington, Highbury Grove School and Lister Community School in Newham, which was the first partner school in 2013.

Sara Pelham, a student from Highbury Grove School who already played the drums, took up cello as part of the programme.

Pelham said: “It definitely wasn’t my first choice, I reluctantly chose it. But since I had a brilliant cello teacher, it has now become my main instrument.”

“I’m incredibly fond of music and I do see myself carrying on with it in the future,” she added.

Truda White, chief executive of the Music in Secondary Schools Trust, said: “Arts and music provision are being seriously eroded and the take up of these subjects at GCSE is falling year on year. MiSST schools are reversing this trend and ensuring young people have a strong arts and music foundation as part of their curriculum.”

The Lloyd Webber programme also receives funding from the Dame Alice Owen Foundation.

The money is also enabling MiSST to conduct research into the impact of the programme on children’s learning.

Source: The Stage

Composing Code: Why Musicians Make Great Software Developers | Huffington Post


Photo: Anthony Hughes
"It’s a well-documented fact that coders are in high demand." according to Anthony Hughes, currently the CEO of Tech Elevator, a demand-driven in-person educational platform designed to support the rapid acquisition of technology skills that can lead to meaningful careers and promotions in tech-related fields. 


The January 2016 Dice Report on employment trends notes that while tech job hiring is up, software developers are still the most difficult talent to recruit. In fact, it’s projected by Code.org that by 2020, there will be a shortage of 1M developers.

Efforts are being made across the spectrum to conquer this skills gap. In fact, disruptive models of education are leading the charge—from free, self-help resources such as CodeAcademy and Udacity to coding bootcamps like Tech Elevator, Dev Bootcamp, Software Guild and Hack Reactor. These DIY modes have quickly moved into the mainstream and are seen as viable pathways to employment, between recent endorsements from the White House to a recent Stack Overflow study of 56,000 software developers, which found that that 69 percent of this class if employees are at least somewhat self-taught.

In a welcome twist, these bootcamps have also begun to erode the white male dominance of the coding world. Software developers now have a variety of backgrounds and are far more diverse than they used to be. In fact, the 2015 Course Report about coding bootcamp alumni found “the typical attendee is 31 years old, has 7.6 years of work experience, has at least a Bachelor’s degree, and has never worked as a programmer.” Moreover, 36 percent of students who attend bootcamps are female.

And even more important, those who successfully complete a bootcamp get well-paying jobs: On average, grads see a 38% salary increase, a figure equal to $18,0000. Perhaps surprisingly, the alums who saw the biggest salary increase after attending a bootcamp were students who majored in music as undergrads. As it turns out, musicality seems to be a powerful predictor of coding success. “The greatest scientists are artists as well,” the genius Albert Einstein once said, but why are musicians uniquely suited to be software developers?

First, thanks to their performance background, attention to detail, and innate need to perfect their parts, musicians tend to be analytical, logical and methodical—skills that the best coders also possess. “There seems to be a high correlation between musical ability and reasoning skills,” Terry Skwarek, the director of SharePoint administration at DePaul University, once told CNN. “It has to do with recognizing and manipulating patterns. That happens in music and in programming.” 

Chemistry and music | Royal Society of Chemistry

How musical ability can help students get a better grasp of chemistry, explains Peter Banks, teaches chemistry at The Purcell School, UK.

© Beth Goody Illustration

Over the Easter holiday, I spent some time playing in the viola section of the Malta Philharmonic Orchestra. I’ve worked with many professional orchestras around the world and each time I find there are a large number of chemistry graduates playing alongside me. I’ve always believed it is important to couple the study of sciences with arts-based subjects so our pupils develop into fully rounded individuals. I also believe there is more to it than just giving students an all-round education.


Is there something in the arts that supports and enhances the study of the sciences? Can music and the arts help improve our students’ understanding of chemistry? With the current move away from arts subjects in schools, now is the time to look at the impact they have on our pupils’ education.

Specialist schools
The UK benefits from several of the world’s finest specialist music schools. But while none of these have academic selection criteria, their exam results are always significantly above the national average by a considerable margin.

And this is not just the case for GCSEs. In 1999, James Catterall demonstrated that US pupils with musical abilities gain higher maths grades.1 Also, in 2011 Lauren Rivera showed an interest in music is beneficial later in life.2 Why is this so?

There are many reasons why results may vary between schools in different areas of the country, but specialist music schools are similarly spread out and take in pupils from many continents. Music schools may have slightly smaller class sizes, however student contact time is lower. A higher proportion of music school pupils come from advantaged backgrounds, but a greater percentage of pupils have English as an additional language. A vast number of factors are involved, but one common link between music schools is the musical ability of the pupils – it’s very high!

I teach chemistry at The Purcell School and have students from all backgrounds, languages and abilities. My GCSE classes include both pupils who are of A-level standard and those who have never been taught science in their own language, let alone in English. Despite this, the majority leave with a good science GCSE. Why is this the case and how can teachers use music to help students?

Research findings
By taking an interest in our pupils’ hobbies and tailoring our teaching to a class’s interests, we can often improve their learning experience. In 2011, Annette Lareau found that if teachers listened to pupils talking about their hobbies, they were likely to see an improvement in their grades.3 With around 70% of children in the UK playing an instrument, all teachers are likely to come across pupils with a musical background. If we can tap into their interests, we may be able to improve their understanding of the chemical sciences.

Adrian Hille and Jürgen Schupp found that musical students have improved cognitive skills, increased conscientiousness and higher perceived control.4 In 1993, Frances Rauscher and colleagues explored the Mozart effect.5 They played 10 minutes of classical music to a group of students and reported an increase in their IQ scores immediately after. There was a huge amount of speculation surrounding this report and many groups provided evidence to support or disprove the finding. In 1996, a BBC Tomorrow’s World experiment put students into groups and played them either classical, rock or no music. Those who listened to the music performed better in spatial intelligence tests than those who didn’t.

Patterns and timing 
If you play an instrument or have a relative who does, you will know that musicians practise scales for hours. They do this because scales are patterns that occur often in music and by practising them, a musician can recognise them more quickly next time or if they have to sight-read. At its most base level, music is simply a set of patterns. I believe it’s the predictable and repetitive nature of music that helps our students with  chemistry.

As an example, let’s look in detail at the first movement of Mozart violin concerto no. 3 in G major. On a macro scale, it has a sonata form that is recognisable as AABA. The A section is played by the orchestra, repeated by the solo violin and then developed in the B section. The movement ends with a return to the A section.

Figure 1: Mozart violin concerto no. 3 in G major K.216, bars 124–126 and 130–132 © Beth Goody Illustration
On closer inspection, we can see patterns throughout the piece. The two passages in figure 1 are from different parts of the score, but the patterns are similar. As a musician, you wouldn’t necessarily spend the same length of time learning each passage – having learnt the first one, the second is easier to accomplish. There are many such examples in music, particularly from Mozart and other classical composers.

I believe the exposure to such a large number of patterns in classical music every day improves a persons’ ability to recognise them...

Musical analogies 
Of course the biggest crossover for science teachers and music is in the physics department. At first glance there’s not a great link between chemistry and music. However, there are concepts that I like to use to support chemistry teaching.

A favourite classroom use of music is a concept from string instruments. I use the idea of harmonics to help explain electronic structure. While this requires a reasonable level of performer (around grade 6+), I use it to explain why electrons can only exist in certain places such as shells or energy levels and can’t exist somewhere in-between.

On a string instrument, it is possible to play harmonics (standing waves) by creating nodes. These occur when the player touches the string at specific points very gently with a finger while trying to make a sound normally with the bow. This effect is only possible when the player’s finger is in exactly the right spot. Similarly, electrons can only exist in shells. This analogy is even more appropriate when students study electrons and quantum states in more detail.
Read more...

Source: Royal Society of Chemistry

Monday, July 04, 2016

There Is No Scientific Method | New York Times


Photo: James Blachowicz
"Why are the results of science considered more reliable than those from poetry or philosophy?" summarizes James Blachowicz, professor emeritus of philosophy at Loyola University Chicago and the author of “Of Two Minds: The Nature of Inquiry” and “Essential Difference: Toward a Metaphysics of Emergence.” 

Kepler’s illustration to explain his discovery of the elliptical orbit of Mars, circa 1754.
Credit Universal History Archive/Getty Images  
 
   
In 1970, I had the chance to attend a lecture by Stephen Spender. He described in some detail the stages through which he would pass in crafting a poem. He jotted on a blackboard some lines of verse from successive drafts of one of his poems, asking whether these lines (a) expressed what he wanted to express and (b) did so in the desired form. He then amended the lines to bring them closer either to the meaning he wanted to communicate or to the poetic form of that communication.

I was immediately struck by the similarities between his editing process and those associated with scientific investigation and began to wonder whether there was such a thing as a scientific method. Maybe the method on which science relies exists wherever we find systematic investigation. In saying there is no scientific method, what I mean, more precisely, is that there is no distinctly scientific method.

There is meaning, which we can grasp and anchor in a short phrase, and then there is the expression of that meaning that accounts for it, whether in a literal explanation or in poetry or in some other way. Our knowledge separates into layers: Experience provides a base for a higher layer of more conceptual understanding. This is as true for poetry as for science.

Let’s look at an example that is a little less complex than poetry. Consider how Socrates guided his students to a definition – of justice or knowledge or courage.

When Socrates asked “What is justice?” there was never any doubt that his listeners knew what the word “justice” meant. This is confirmed by the fact that Socrates and his listeners could agree on examples of justice. Defining justice, on the other hand — that is, being able to explain what it was conceptually that all these examples had in common — was something else altogether.

Suppose you and I try to define courage. We would begin with the meaning that is familiar to both of us. This shared meaning will be used to check proposed definitions and provide typical examples of it. Commonly, we may not be able to explain what something is, but we know it when we see it.

So what do we mean by courage? Let’s try, “Courage is the ability to act in the face of great fear.” This is an attempt to articulate (define) what we mean by courage. What we do next is to compare the actual meaning of courage we both possess with the literal meaning of the expression “the ability to act in the face of great fear.”

In comparing this literal meaning with the actual meaning of courage in our minds, we come to realize that the literal meaning of our working definition won’t work because, for example, “to act in the face of great fear” could include tying one’s shoelace, yelling profanities, even running away.

So we must alter our definition to exclude these typically non-courageous actions. One way of doing this is to produce a definition such as, “Courage is the ability to act in the face of great fear, except for tying one’s shoelace, yelling profanities and running away.” This does produce a literal meaning closer to the actual meaning we want to express or define.

Yet we wouldn’t accept such a definition even if it itemized every possible exception. Why? Because, from a different point of view, this definition is inadequate: not because it fails to bring the meaning of the definition closer to the actual meaning of courage, but because all it does is try to save the original definition by tacking on ad hoc exceptions. That is, we reject it because it fails to be a good, well-formed definition. A good definition is simple and provides a principle that would exclude all possible exceptions without having to enumerate them one by one.

What do we do? We come up with a new definition that once again is simple (without adding exceptions). We could try, “Courage is the ability to act while confronting a great fear.” Adding “confronting” would seem to disqualify tying one’s shoelaces and even shouting profanities since one could shout profanities while running away.

Yet adding an ad hoc exception may sometimes be just what is called for. Suppose I define courage as “the ability to act while confronting a danger to oneself.” “Confronting” is retained, so this would (normally) exclude running away. Yet one could also act out of anger, so that courage may not be the principal trait exhibited. We could add the ad hoc hypothesis “except when motivated principally by anger.” This would be desirable in this case, for the phenomenon turned out to be composite — actions that may arise from separate causes (courage and anger).

It’s important to see that this process — like that whereby a poem is written — rests on two requirements that have to be met. A good definition or poem must be one (a) whose expressed meaning matches the actual meaning that was grasped in a pre-articulated way and (b) which satisfies some criterion of form (embodies an explanatory principle or satisfies poetic form).

Now compare this with a scientific example: Johannes Kepler’s discovery that the orbit of Mars is an ellipse.

In this case, the actual meaning of courage (what a definition is designed to define) corresponds with the actual observations that Kepler sought to explain — that is, the data regarding the orbit of Mars. In the case of definition, we compare the literal meaning of a proposed definition with the actual meaning we want to define. In Kepler’s case, he needed to compare the predicted observations from a proposed explanatory hypothesis with the actual observations he wanted to explain.

Early on, Kepler determined that the orbit of Mars was not a circle (the default perfect shape of the planetary spheres, an idea inherited from the Greeks). There is a very simple equation for a circle, but the first noncircular shape Kepler entertained as a replacement was an oval. Despite our use of the word “oval” as sometimes synonymous with ellipse, Kepler understood it as egg-shaped (in the asymmetrical chicken-egg way). Maybe he thought the orbit had to be lopsided (rather than symmetrical) because he knew the Sun was not at the center of the oval. Unfortunately, there is no simple equation for such an oval (although there is one for an ellipse).

When a scientist tests a hypothesis and finds that its predictions do not quite match available observations, there is always the option of forcing the hypothesis to fit the data. One can resort to curve-fitting, in which a hypothesis is patched together from different independent pieces, each piece more or less fitting a different part of the data. A tailor for whom fit is everything and style is nothing can make me a suit that will fit like a glove — but as a patchwork with odd random seams everywhere, it will also not look very much like a suit.

The lesson is that it is not just the observed facts that drive a scientist’s theorizing. A scientist would, presumably, no more be caught in a patchwork hypothesis than in a patchwork suit. Science education, however, has persistently relied more on empirical fit as its trump card, perhaps partly to separate science from those dangerous seat-of-the-pants theorizings (including philosophy) that pretend to find their way apart from such evidence.

Kepler could have hammered out a patchwork equation that would have represented the oval orbit of Mars. It would have fit the facts better than the earlier circle hypothesis. But it would have failed to meet the second criterion that all such explanation requires: that it be simple, with a single explanatory principle devoid of tacked-on ad hoc exceptions, analogous to the case of courage as acting in the face of great fear, except for running away, tying one’s shoelace and yelling profanities.

Yet in science, just as in defining a concept like courage, ad hoc exceptions are sometimes exactly what are needed. While Galileo’s law prescribes that the trajectory of a projectile like a cannonball follows a parabolic path, the true path deviates from a parabola, mostly because of air resistance. That is, a second, separate causal element must be accounted for. And so we add the ad hoc exception “except when resisted by air.”

This is enough. There is much more to a theory of inquiry, of course, that could cover forms as disparate as poetry and science.
Read more... 

Source: New York Times 

Report: The Buyer-Provider Partnership: The Key to High-Quality Custom Content | Upside Learning

Key Takeaways:
  • Don’t be driven solely by price. A solution that appears to be a bargain on paper may turn out to cost a whole lot more in other areas such as quality, turnaround and communication.
  • Find a partner, not a vendor. Custom content development is not simply a purchase and walk away arrangement. An organization needs a partner that understands their needs and their culture. Content that doesn’t take these things into onsideration will miss the mark.
  • Look for the right technologies. An outsourcing arrangement is an opportunity to take advantage of technologies that might not otherwise be at your disposal.
  • The modern learner is looking for experiences that are engaging, relevant, social and mobile. • Scalability. One of the main benefits to outsourcing is to be able to scale to the organization’s needs without having to rely on internal resources, which are oftenlimited. Be sure to have a partner that can deliverwhen requirements peak.


Backed by Upside Learning, this report, entitled The Buyer-Provider Partnership: The Key to High-Quality Custom Content by Brandon Hall Group, clearly highlights how the eLearning outsourcing landscape has changed.

Download Report


The report talks about:
  1. Drivers for outsourcing content development
  2. Factors important in provider-buyer partnership
  3. Satisfaction with providers and reasons for replacing them
In the introduction writes Brandon Hall Group Research Team, "While learning leaders struggle with technology, strategy and calculating the ROI of the organization’s learning strategies, the truth is that there is no learning without content. As Bill Gates once said, “content is king.” Although Mr. Gates meant it in a different context, it holds true for learning. In recent Brandon Hall Group research on business priorities, developing content was seen as a priority or critical to the business by 68% of companies, second only to leadership development in importance."

Unfortunately, instructional design and content creation aren’t necessarily skills that exist in most organizations. So what can they do? There is a lot of content that is readily available out there, both for sale from providers and free on the internet. But more than half of the companies (53%) say that the inability to customize their content is a significant challenge to implementing the learning strategy, so off-the-shelf material can’t always solve the problem. Which is why many companies turn to experts outside of the organization to create custom content thatmeets their specific needs. 

This report is based on Brandon Hall Group’s ContentOutsourcing Study, which surveyed 206 companies ofall sizes, representing approximately 30 different industries from organizations around the globe. The report will explore the current content outsourcing landscape and identify what’s driving organizations to outsource, as well as what they are outsourcing and the benefits they are realizing.
Download Report

Source: Upside Learning

Elearning isn’t as good as face-to-face - it’s better | TrainingZone


Photo: Ralph La Fontaine
Ralph La Fontaine, Managing Director, People & Talent, AVADO insist, "In times of change, people cling to the past."

Photo: iStock

Take the UK’s Victorian education system, for example. By and large, learning today is still carried out the way it always was - an authority figure at the front of a room, delivering a monologue to students, with time for Q&A if you’re lucky.

That is why, despite the emergence of electronic learning techniques, many still wonder if elearning is “as good as” the supposed exemplar of classroom learning.
Well, it is time to say elearning is not “as good as” classroom learning - it is far better.

Even in professional learning and development, people typically still see electronic delivery as a poor cousin to face-to-face, and it is often mainly used to deliver uninspiring content, like simply clicking through a series of slides on compliance training.
 
But things are changing.

1. Technology has been proven to work
During the financial crisis, businesses began to see what elearning really has to offer. Out of necessity, many started cutting back on business travel expenses, instead beginning to choose remote, digitally-delivered learning courses online, rather than on-site or at training centres. We have since seen a huge uplift  in the numbers of businesses moving in the same direction.

And why not? Whilst earlier elearning tools were stilted and awkward, modern platforms have found the knack to making the technology blend into the background, letting the content take centre-stage. Now it’s all just learning. In fact, freed from the tyranny of too much technology, people have found a way to learn multi-modally, moving in and out of the “real” and “digital” worlds.

2. Remoteness powers individual preferences
In recent years, a lot has been written on how  individual  learners each have different “learning styles” that must be catered to. Much of this theory has now been debunked - but that doesn’t mean students don’t still have distinct characteristics, and even physiologies, that can hinder or help their learning.

For instance, neuroscience research has shown that blood sugar levels present in the body can impact workers’ decision-making. Learners  who are less energetic may be automatically disadvantaged, performing worse in workplace group training or tests at times of the day that are incompatible with their sugar digestion.

But remote learning at a time of their choosing allows learners to match the mode and context of learning to their own unique pattern, giving them the best chance of comprehension.
Read more... 

Source: TrainingZone  

Sunday, July 03, 2016

Recommended Books - E-Learning and the Science of Instruction and THE POWER OF CHUNKING



Take a closer look at these books as shown below.

e-Learning and the Science of Instruction:
Proven Guidelines for Consumers and
Designers of Multimedia Learning, 4th Edition

Read an Excerpt


A recently updated manual for delivering learning using evidence-based evidence-based e-learning design by Ruth C. Clark (Author), Richard E. Mayer (Author).

Ruth C. Clark is a respected author and has focused on evidence-based practice in design and development of workforce training materials for over three decades.

Co-authored Dr. Richard E. Mayer is described as "the most productive instructional research scientist in the world."

"The latest edition includes new chapters on evidence based games design and engagement as well as updated instructor’s materials so you can make the most of the practical guides."


Download the free eBook now

Studies show that learner retention - and attention - rates have been steadily dropping among adult leaners for more than a decade.  How can we apply the "chunking" philosophy to help our content stick?

Inside The Guide:
  • How Does Chunking Work?
  • Three Ways To Chunk
  • Four Chunking Tips
Dashe & Thomson writes in Learning Retention, "In 1980, K. Anders Ericsson and his colleagues published a fascinating experiment. They took a student of average intelligence, memory capacity, and IQ, and had an experimenter test the limits of his memory."

The experimenter read a series of random numbers and had the student recite them back in the exact order. If he recited the numbers correctly, the experimenter would add another digit to the next random set. If he made a mistake, the next set of random numbers would be one digit shorter.

At first, the student indicated his average intelligence and memory by only being able to memorize a sequence of about 7 numbers. This confirmed an earlier theory by George Miller, that an average human can only hold 7 items (+/- 2) in their working memory at a time.

The experiment was repeated, 4 days a week, for almost two years. 20 months later, the student could memorize a sequence of numbers 80 digits long.

Download the free eBook now 

Source: John Wiley & Sons and Dashe & Thomson

Game of Phones: Five Critical Factors For Effective Mobile Learning | Social Learning Blog


"In today's everything-at-your-fingertips world -- smartphones, tablets, wifi at 30 thousand feet -- it’s no surprise that the demand for mobile learning options is skyrocketing. People want their learning on the go.  Or at least pieces of it." according to David Berget, joined Dashe & Thomson in 2014 after working as an eLearning Developer for a year. 

Photo: Social Learning Blog, Dashe & Thomson
Fortunately, mobile compatibility has, in recent years, become the easy part of offering mobile learning solutions. Most eLearning and web-authoring tools produce responsive, mobile-compatible output with little or no incremental effort from the content creator. Developing learning solutions for mobile devices, however, involves more than checking the “responsive design” box.

A true mobile learning solution must offer a clear benefit for users, help individuals and teams improve performance, and ultimately provide a return on investment by delivering better business outcomes.

Here are five things to consider when producing a mobile learning solution that gets results:

1. Put Mobility First 
The Mobile First philosophy is the subject of much debate.  Simply put, the essence of Mobile First is to develop for the smallest screen first, and then add additional content and features for larger and larger screens.

Why do this?  Because much of the functionality and design that appears beautifully on larger screens like computers looks and behaves awful on a phone screen. This is why “mobile compatibility” means nothing on its own.  Regardless of the screen you decide to design for first, mobile should at least considered first, so that good design choices can be made throughout the instructional design process.
Read more...

Source: Dashe & Thomson

Northwestern actuarial science program ranked among best values | Northwestern College

"Northwestern College’s actuarial science program is ranked among the nation’s best values by www.online-accounting-degrees.net. The ranking lists Northwestern 18th out of the top 40 best value colleges and universities." inform Northwestern College.

Photo: Northwestern College

Northwestern is the highest rated member of the Council for Christian Colleges & Universities (CCCU) in the ranking. The only other CCCU school listed is Olivet Nazarene University, ranked 38th.

Abby Korthals, a 2013 Northwestern College alumna 
who is senior pricing analyst at Nationwide Insurance in Des Moines,
 is among many Northwestern graduates who are 
leading successful careers in the actuarial industry.
The ranking compares all 
undergraduate actuarial science programs in the United States based on key metrics such as graduation rate; quality of curriculum; student appeal, measured by the quantity of students majoring in actuarial science relative to all other business and finance degrees; and net price, which is the average cost of attendance after factoring both expenses and financial aid.

The ranking, at http://www.online-accounting-degrees.net/best/top-values-bachelor-actuarial-science-degree-programs-2016/, describes Northwestern’s program as “comprehensive,” saying that “students who are searching for a faith-based actuarial education should take a good look at Northwestern College.”

Photo: Timothy Huffman
“Our students graduate with not just the professional education of a quality actuarial program, but also the communication skills and breadth of knowledge that come with a liberal arts education,” says Dr. Tim Huffman, professor of mathematics and director of Northwestern’s actuarial science program. “As a result, they’re able to discuss complex issues with others outside the actuarial department and are well prepared for moving into leadership roles.”

Northwestern is just one of six CCCU schools recognized by the Society of Actuaries on their exclusive Universities and Colleges with Actuarial Programs (UCAP) list. Northwestern actuary students have a 90 percent first-time pass rate on the P (probability) and FM (financial mathematics) actuarial exams, compared to the national average of around 50 percent. Graduates are employed at Nationwide Insurance and Principal Financial Group in Des Moines, among other places.

Source: Northwestern College