The Silent Film Project presents scenes from classics with students playing scores by composers from the Tanglewood Music Center. Photo: Hilary Scott |
But during a
few densely scheduled days every summer, the Tanglewood Music Center
takes center stage to present the Festival of Contemporary Music. This
year’s edition, directed for the second consecutive year by the composer
and conductor Thomas Adès and spread over five days, was no exception.
On a recent visit, I attended both festival events and Boston Symphony
programs — a total of eight concerts in three days, an exhilarating
immersion in the two Tanglewoods...
A prelude concert on Monday at Ozawa Hall, featuring mostly piano pieces, was dedicated to the composer Oliver Knussen, who died last year
at 66. As the director of contemporary music activities at the
Tanglewood Music Center from 1986 to 1993, Mr. Knussen conducted and
organized dozens of programs like these. His distinctive piano works,
including the “Prayer Bell Sketch” (played sensitively by Tomoki Park), and the impetuous 12 Variations (played arrestingly by Christine Wu), were among the highlights.
Source: The New York Times